Product Description

Equipment Rental Solution for Cinematic Digital Motion Pictures

RED RANGER Monstro 8K Full Frame Camera 


ARRI Alexa Mini LF 

 69545267_10159091921793438_7472175228731260928_o   69290503_10159091717378438_4692822619278278656_o

Sony Venices Full Frame 6K Camera 

SJ9A6952       SJ9A6969

RED VV Full Frame MONSTRO 8K Camera

  DSC00751  DSC00774

CANON C700 full frame Camera c/w  Sumire full Frame lens 

62244930_10158840831463438_3102055161921536000_o  62536554_10158840832443438_4125292976588980224_o


DSC00038  DSC00026

Red 8K Helium S35 , 6K Weapon / Dragon PL/EOS  & Red Raven EOS 4.5K Camera  Rental

14372353_10153969644761243_7463040313975311699_o  HT0A6785 

RED Introduces 'Helium,' a New 8K 35mm Sensor for the Weapon and Epic-W


Red Weapon 6k / Weapon Epic-w 8k w/  Pro Ress Recording Camera

0B9K5477   0B9K5422

Leveraging the award-winning RED DRAGON® sensor, WEAPON® is engineered from the ground up to deliver cutting-edge performance in the most intuitive camera experience possible. WEAPON 6K boasts an arsenal of improvements and features that include Carbon Fiber  8K sensor, an intelligent OLPF system, blazing fast data transfer rates up to 300 MB/s, in-camera 1D and 3D-LUT outputs, and the freedom to simultaneously record in REDCODE® RAW and Apple ProRes or Avid DNxHR/HD file formats.     

Red Revan 4.5k & Red 8k Helium w/ Pro Ress Camera

HT0A7675     0B9K5417

RED RAVEN brings RED sensor technology to aspiring shooters everywhere. Capturing images using a 4.5K RED DRAGON® sensor, RED RAVEN reinforces RED’s commitment to its core principles. RED was founded on the belief that cinema-quality creative tools shouldn’t be in the hands of a few—it should truly be 4K for all.

ARRI Alexa Mini 4k, Pro Ress 200 f.p.s, ARRIRAW 3.2k, 30 f.p.s  4.3 Open Gate Anamorphic  

13076523_10154137844959061_1655251863867402484_n      0B9K5530

Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.

ARRI Alexa XT/XR , ARRI Alexa XT 4.3 Sensor Anamorphic open Gate ARRIRAW 3.2kw 120 f.p.c 


35 format film-style digital camera with an electronic viewfinder, an Open Gate/4:3/16:9 switchable active sensor area, built-in filter holder, Lens Data System, integrated shoulder arch and receptacles for 15 mm lightweight rods

1488268_10152602941838438_1302655388_n    1548009_10152605662058438_893505921_o

ARRI Alexa XR 4:3 plus Anamorpic Camera Body with XR Module , ARRIRAW 2.8k 

12262_10151269452254061_1895471242_n  rs6a

All ALEXA XT models come with the new XR Module, a side panel that was co-developed with Codex and which replaces the previous SxS Module. The XR Module allows in-camera ARRIRAW recording up to 120 fps onto exceptionally fast and rugged XR Capture Drives. The XR Module not only provides for a smaller, lighter and more affordable camera package, it also simplifies setup and operation while avoiding unnecessary cabling. The result is an even faster and more reliable workflow on set. The XR Module is also available as an upgrade for all classic ALEXAs.




ARRI Alexa 4:3 Plus w/ XR Module 

ARRI Alexa Mini 

ARRI Alexa Mini LF 

Red Camera Authorized Rental House 

Red Ranger 

Red Monstro VV

Red Helium Weapon 

Red Epic Weapon 

Red Gemini 

Red Raven 

Sony Camera : 

Sony Venice w/ R7 Raw Recorder 

Sony F5 w/ R5 Raw Recorder 

Sony FX9 w/ extension Unit 

Sony FS7 Mark II w/ Extention Unit

Sony PMW300 & PMW200 

Sony EX3 

Sony DSLR :

Sony A7 RIV

Sony A7 III 

Sony A7 SII 

Sony A7 RII

Sony A7 S 

All Camera c/w Tilta Rig From A7s , A7SII / A7RIV / A7III 

Black Magic Pro2 URSA G2S 

Black Magic Pocket Cinema 6K 

Canon Camera :

Canon C700 full Frame 

Canon C500MKII 5.9K full frame 

Canon C500 

Canon C100

Canon C300

Canon C300 MKII 

Canon C200

Canon 5D MK3

Canon 5D MKIV

Canon XF205 

Panasonic Camera :

Panasonic Varicam 35mm 4K Camera 

Panasonic lumix S1H Full Frame 

Panasonic GH5S 

Panasonic EVA 1 PL Mount / EOS Mount 

Panasonic Broadcast Camera :

Panasonic PX800 & HPX502 

HT0A7119       HT0A6998

Tilta C300 MK2 Tilta Handheld full Rig System for Rental 


The EOS C300 Mark II Digital Cinema Camera is an evolutionary 2nd generation Cinema EOS 4K camera system with a wide range of new and improved features including 4K/2K/Full HD internal and external recording (including 4K RAW output) and a new 10-bit Canon Log 2 Gamma. This powerful new camera also features an expanded dynamic range of 15 stops, improved Dual Pixel CMOS Autofocus, innovative focus assist engineering and CFast recording technology. Redesigned with the help of user

SONY F5 4K Cine Altas Camera w/ SONY R5 4K Recorder


The compact, flexible PMW-F5 makes serious cinematography in HD, 2K, QFHD or 4K accessible on all budgets. Modular, easy to use and highly sensitive, it’s effortlessly adaptable to suit different production agendas, from documentaries to music promos and ENG. It can even be upgraded to the PMW- F55 to match your widening 


4K Phantom Camera Rental c/w Technician 


Panasonic 35mm Varicam 4k Camera w/ PL Mount & Wooden Camera full Rig

HT0A7074  HT0A7059

The Cinema VariCam line of cameras has been used on a wide variety of movies, commercials, and TV programs,
and is renowned for its color reproduction, look, and for bringing progressive workflows to the production industry.
This technology and know-how are now invigorating a new lineup. VariCam 35 boasts the highest-quality images of the new VariCam Series. It features a dynamic range with 14+ stops of latitude and a wide color gamut, acquisition functions thatsupport 4K/120fps uncompressed RAW recording with Codex V-RAW Recorder* to bring 
form to the vision of today's image creators. It's part of a revolution, a highly innovative workflow led by dual codec recording, in-camera color grading, and a modular design with superlative durability, system expandability, and operating ease.Experience what it can do to achieve your vision, and join in the
ultimate revolution — with the VariCam 35.


SONY PXW- FS7 / PXW FS7 Mark II / FS5 MKII  4K Camera Rental


SJ9A6810       SJ9A6847

The PXW-FS7 reflects years of intense conversations we’ve had with documentary shooters. In response, we completely redesigned the grip, improved the viewfinder, optimized the balance and refined the ergonomics. Of course, the FS7 also reflects Sony’s expertise in 4K and HD codecs, Super 35 sensors and memory recording. The result is the ideal camera for documentaries—and the optimum tool for magazine shows, reality TV, unscripted TV and more.

Sony A7s , A7RII & A7SII 4k Camera w/ Tilta Rig /  Canon 4K XC15 Professional Camera

A7SII    SM4 

Expansive power to express images of fine details with less moiré, jaggies and noise is evident in movies that the α7S II can record internally in 4K full-frame format.

TILTA-A7s   IMG_7145


SJ9A7152      SJ9A7134

Panasonic  DVX200 / VariCam 4k Camera

panasonic_dvx200_black_0  VARICAM_35_3_a_w_logoW

Canon Camera w/ 4K External Recorder

Canon C500 4k Camera  ,  Odyssey 7Q with Canon Raw

Canon C300 422 Pro Ress 50 MBPS Broadcast Camera

Bringing Canon's expertise and decades of experience designing sensors, lenses, image processing and design to the world of motion picture capture, the EOS C300 camera has been designed to meet the demanding needs of cinema industry professionals, providing a modular, portable and eminently adaptable system of cameras, lenses and accessories built for movi

3840 x 2460 pixels; Approx. 8.29 megapixels /  4216 x 2340 pixels; Approx. 9.86 megapixels Sensor Type CMOS

Super 35; 24.6 x 13.8 (28.2 mm diagonal); 6.4 µm cell pitch    /  Scanning System   Progressive

key-visual  img-capture  canonc200.jpeg

Canon C300 Mk 2 4k Camera External Recorder / C100 MK II

Gemini 4: 4: 4 ARRI Raw HDD Recorder

AJA Kipro Mini 422 Pro Res 10 Bit

Panasonic 422 Pro Ress 2/3 Inch ENG Broadcasting Camera

Multicam Panasoic AJ-PX800 HD422 Pro Ress 2/3  w/ CCU Control , Broadcasting 2/3 inch Camera

BO7C0389  panasonic-hpx250-camera-rentals

The world's lightest*1 2/3 type shoulder-type HD camera-recorder with three image sensors revolutionises news gathering with high mobility, superb picture quality and network functions.

The AJ-PX800G is a new-generation camera-recorder for news gathering. It is network connectable and provides superb picture quality, high mobility and excellent costperformance. Weighing only about 2,8kg (main unit), the AJ-PX800G is the world's lightest*1 shoulder-type camera-recorder equipped with three MOS image sensors for broadcasting applications. It also supports AVC-ULTRA multi-codec recording.*2 The picture quality and recorded data rate can be selected from one of the AVC-ULTRA family of codec’s (AVC-Intra/AVC-LongG) according to the application. Along with a Low-rate AVC-Proxy dual-codec recording ideal for network-based operation and off-line editing. Built-in network functions support wired LAN, wireless LAN*3and 4G/LTE network connections,*4 enabling on-site preview, uploading data to a server and streaming. The AJ-PX800G is a single-package solution for virtually all broadcasting needs.

*1: For a 2/3-type shoulder-type HD camera-recorder with three sensors (as of August 2014).
*2: Not all AVC-ULTRA formats will be supported.
*3: For a wireless LAN connection, the AJ-WM30 Wireless Module is required.
*4: 4G/LTE module is required from a third party. Availability of this function may vary depends on areas.
The use of DCF Technologies is under license from Multi-Format, Inc.


Canon XF205 422 Broadcast Camera

 Canon-XF2051-600x153   canon-xf205-blog-20140403-thumbnail2

Sony PMW300 / PMW200 HD422 Pro Ress Camera

PMW300_NewsImageLARGE-600x218  sony-pmw-200-xdcam-mxf-to-fcp

Sony F3k PL Mount  HD1920 x 1080 Camera

Teaser_175  IMG_9309-1024x641

oining the F35 and SRW-9000PL in Sony's lineup of CineAlta 24p digital cinema cameras, the PMW-F3K Super 35mm XDCAM EX Full-HD Compact Camcorder continues the democratization of high-end image capture. The camera's newly developed Super 35mm-size CMOS sensor offers a variety of advantages over smaller sensors, including increased control over depth of field, higher sensitivity in low light, lower image noise, and an exceptional dynamic range. Unlike smaller, broadcast-style sensors or the larger "full-frame" sensor found in some DSLRs, the PMW-F3's chip is on a par with Hollywood film cameras, in terms of field of view and depth of field. That means complete compatibility with cine-style film lenses and consistency of vision for cinematographers used to shooting on 35mm film.