Equipment Rental Solution for Motion Pictures
Red 8K Helium S35 , 6K Weapon / Dragon PL/EOS & Red Raven EOS 4.5K Camera Rental
RED Introduces 'Helium,' a New 8K 35mm Sensor for the Weapon and Epic-W
Red Weapon 6k / Weapon Epic-w 8k w/ Pro Ress Recording Camera
Leveraging the award-winning RED DRAGON® sensor, WEAPON® is engineered from the ground up to deliver cutting-edge performance in the most intuitive camera experience possible. WEAPON 6K boasts an arsenal of improvements and features that include Carbon Fiber 8K sensor, an intelligent OLPF system, blazing fast data transfer rates up to 300 MB/s, in-camera 1D and 3D-LUT outputs, and the freedom to simultaneously record in REDCODE® RAW and Apple ProRes or Avid DNxHR/HD file formats.
Red Revan 4.5k & Red 8k Helium w/ Pro Ress Camera
RED RAVEN brings RED sensor technology to aspiring shooters everywhere. Capturing images using a 4.5K RED DRAGON® sensor, RED RAVEN reinforces RED’s commitment to its core principles. RED was founded on the belief that cinema-quality creative tools shouldn’t be in the hands of a few—it should truly be 4K for all.
ARRI Alexa Mini 4k, Pro Ress 200 f.p.s, ARRIRAW 3.2k, 30 f.p.s 4.3 Open Gate Anamorphic
Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
ARRI Alexa XT/XR , ARRI Alexa XT 4.3 Sensor Anamorphic open Gate ARRIRAW 3.2kw 120 f.p.c
35 format film-style digital camera with an electronic viewfinder, an Open Gate/4:3/16:9 switchable active sensor area, built-in filter holder, Lens Data System, integrated shoulder arch and receptacles for 15 mm lightweight rods
ARRI Alexa XR 4:3 plus Anamorpic Camera Body with XR Module , ARRIRAW 2.8k
All ALEXA XT models come with the new XR Module, a side panel that was co-developed with Codex and which replaces the previous SxS Module. The XR Module allows in-camera ARRIRAW recording up to 120 fps onto exceptionally fast and rugged XR Capture Drives. The XR Module not only provides for a smaller, lighter and more affordable camera package, it also simplifies setup and operation while avoiding unnecessary cabling. The result is an even faster and more reliable workflow on set. The XR Module is also available as an upgrade for all classic ALEXAs.
CANON C300 MARK2 4K Camera w/ 19mm Tilta Rig System , Quick Relase to 15mm
Tilta C300 MK2 Tilta Handheld full Rig System for Rental
The EOS C300 Mark II Digital Cinema Camera is an evolutionary 2nd generation Cinema EOS 4K camera system with a wide range of new and improved features including 4K/2K/Full HD internal and external recording (including 4K RAW output) and a new 10-bit Canon Log 2 Gamma. This powerful new camera also features an expanded dynamic range of 15 stops, improved Dual Pixel CMOS Autofocus, innovative focus assist engineering and CFast recording technology. Redesigned with the help of user
SONY F5 4K Cine Altas Camera w/ SONY R5 4K Recorder
The compact, flexible PMW-F5 makes serious cinematography in HD, 2K, QFHD or 4K accessible on all budgets. Modular, easy to use and highly sensitive, it’s effortlessly adaptable to suit different production agendas, from documentaries to music promos and ENG. It can even be upgraded to the PMW- F55 to match your widening
4K Phantom Camera Rental c/w Technician
Panasonic 35mm Varicam 4k Camera w/ PL Mount & Wooden Camera full Rig
The Cinema VariCam line of cameras has been used on a wide variety of movies, commercials, and TV programs,
and is renowned for its color reproduction, look, and for bringing progressive workflows to the production industry.
This technology and know-how are now invigorating a new lineup. VariCam 35 boasts the highest-quality images of the new VariCam Series. It features a dynamic range with 14+ stops of latitude and a wide color gamut, acquisition functions thatsupport 4K/120fps uncompressed RAW recording with Codex V-RAW Recorder* to bring
form to the vision of today's image creators. It's part of a revolution, a highly innovative workflow led by dual codec recording, in-camera color grading, and a modular design with superlative durability, system expandability, and operating ease.Experience what it can do to achieve your vision, and join in the
ultimate revolution — with the VariCam 35.
SONY PXW- FS7 4K Camera Rental
The PXW-FS7 reflects years of intense conversations we’ve had with documentary shooters. In response, we completely redesigned the grip, improved the viewfinder, optimized the balance and refined the ergonomics. Of course, the FS7 also reflects Sony’s expertise in 4K and HD codecs, Super 35 sensors and memory recording. The result is the ideal camera for documentaries—and the optimum tool for magazine shows, reality TV, unscripted TV and more.
Sony A7s , A7RII & A7SII 4k Camera w/ Tilta Rig / Canon 4K XC15 Professional Camera
Expansive power to express images of fine details with less moiré, jaggies and noise is evident in movies that the α7S II can record internally in 4K full-frame format.
Panasonic DVX200 / VariCam 4k Camera
Canon Camera w/ 4K External Recorder
Canon C500 4k Camera , Odyssey 7Q with Canon Raw
Canon C300 422 Pro Ress 50 MBPS Broadcast Camera
Bringing Canon's expertise and decades of experience designing sensors, lenses, image processing and design to the world of motion picture capture, the EOS C300 camera has been designed to meet the demanding needs of cinema industry professionals, providing a modular, portable and eminently adaptable system of cameras, lenses and accessories built for movi
3840 x 2460 pixels; Approx. 8.29 megapixels / 4216 x 2340 pixels; Approx. 9.86 megapixels Sensor Type CMOS
Super 35; 24.6 x 13.8 (28.2 mm diagonal); 6.4 µm cell pitch / Scanning System Progressive
Canon C300 Mk 2 4k Camera External Recorder / C100 MK II
Gemini 4: 4: 4 ARRI Raw HDD Recorder
AJA Kipro Mini 422 Pro Res 10 Bit
Panasonic 422 Pro Ress 2/3 Inch ENG Broadcasting Camera
Multicam Panasoic AJ-PX800 HD422 Pro Ress 2/3 w/ CCU Control , Broadcasting 2/3 inch Camera
The world's lightest*1 2/3 type shoulder-type HD camera-recorder with three image sensors revolutionises news gathering with high mobility, superb picture quality and network functions.
The AJ-PX800G is a new-generation camera-recorder for news gathering. It is network connectable and provides superb picture quality, high mobility and excellent costperformance. Weighing only about 2,8kg (main unit), the AJ-PX800G is the world's lightest*1 shoulder-type camera-recorder equipped with three MOS image sensors for broadcasting applications. It also supports AVC-ULTRA multi-codec recording.*2 The picture quality and recorded data rate can be selected from one of the AVC-ULTRA family of codec’s (AVC-Intra/AVC-LongG) according to the application. Along with a Low-rate AVC-Proxy dual-codec recording ideal for network-based operation and off-line editing. Built-in network functions support wired LAN, wireless LAN*3and 4G/LTE network connections,*4 enabling on-site preview, uploading data to a server and streaming. The AJ-PX800G is a single-package solution for virtually all broadcasting needs.
*1: For a 2/3-type shoulder-type HD camera-recorder with three sensors (as of August 2014).
*2: Not all AVC-ULTRA formats will be supported.
*3: For a wireless LAN connection, the AJ-WM30 Wireless Module is required.
*4: 4G/LTE module is required from a third party. Availability of this function may vary depends on areas.
The use of DCF Technologies is under license from Multi-Format, Inc.
Canon XF205 422 Broadcast Camera
Sony PMW300 / PMW200 HD422 Pro Ress Camera
Sony F3k PL Mount HD1920 x 1080 Camera
oining the F35 and SRW-9000PL in Sony's lineup of CineAlta 24p digital cinema cameras, the PMW-F3K Super 35mm XDCAM EX Full-HD Compact Camcorder continues the democratization of high-end image capture. The camera's newly developed Super 35mm-size CMOS sensor offers a variety of advantages over smaller sensors, including increased control over depth of field, higher sensitivity in low light, lower image noise, and an exceptional dynamic range. Unlike smaller, broadcast-style sensors or the larger "full-frame" sensor found in some DSLRs, the PMW-F3's chip is on a par with Hollywood film cameras, in terms of field of view and depth of field. That means complete compatibility with cine-style film lenses and consistency of vision for cinematographers used to shooting on 35mm film.